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Showing posts with label <b>Jonathan Williams</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Jonathan Williams</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Thursday, September 25, 2014</span></h2>

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in Warwick</span></b></div>
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<h2 class='date-header'><span>Friday, March 21, 2008</span></h2>

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<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-size:16.0pt;font-family:Arial'>Further Huzzahs for a &#8220;Grumpy Old Fart&#8221;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><img height="344" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/QqHSUrBV-erKOtQGgGDvkwrCbNEVX4Gu-b3SgsIdOAw7uXnyMKjA4zfuJu7LqOS603Wy7AUyFORX2AYPJtBSnvcES2qgyCPsKiBdq29F_c85%3Ds0-d" width="500"><br>
<i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt;font-family:Arial'>Tom Meyer, Alex <span class=SpellE>Gildzen</span>, <span class=GramE>Jonathan</span> Williams </span></i><span style='font-size:8.0pt;font-family:Arial'>(hint: read Jonathan&#8217;s hat)</span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'>Pierre <span class=SpellE>Joris</span> on <a href="http://pjoris.blogspot.com/2008/03/jonathan-williams-1929-2008.html"><span style='color:black'>Jonathan Williams</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://bellemeadebooks.blogspot.com/2008/02/jonathan-williams-poet.html"><span style='color:black'>M. Bromberg</span></a> on Williams&#8217; vision<o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://www.languagehat.com/archives/003069.php"><span  style='color:black'>Language Hat</span></a> has an obit<br>
&amp; an earlier <a href="http://www.languagehat.com/archives/000851.php"><span style='color:black'>appreciation</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'>A long appreciation (with some good images<span class=GramE>)</span><br>
from <a href="http://damnthecaesars.blogspot.com/2008/03/jonathan-williams-1929-2008.html"><span style='color:black'>Damn the Caesars</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://www.rightreading.com/blog/2008/03/19/jonathan-williams-1929-2008/"><span style='color:black'>Tom Christensen</span></a>, who published<br>
<i style='mso-bidi-font-style:normal'>Magpie&#8217;s Bagpipe<o:p></o:p></i></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'>Further comments on Williams by<br>
<a href="http://web.ncf.ca/ek867/wood_s_lot.html"><span style='color:black'>Mark Harnett</span></a>, <a href="http://poetryandpoetsinrags.blogspot.com/2008/03/poetic-obituaries-as-publisher-jonathan.html"><span class=SpellE><span style='color:black'>Rus</span></span><span style='color:black'> Bowden</span></a>, <a href="http://mossesfromanoldmanse2.blogspot.com/2008_03_01_archive.html#2292917502406340085"><span style='color:black'>Peter <span class=SpellE>Culley</span></span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'>This piece on <a href="http://some-landscapes.blogspot.com/2008/02/north-country-sketches.html"><span style='color:black'>Williams &amp; Frederick <span class=SpellE>Delius</span></span></a><br>
appeared last month<o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'><span style='mso-spacerun:yes'> </span>&#8220;27 Batting-Practice Pitches <br>
for the John <span class=SpellE>Kruk</span> of American Letters&#8221;<br>
an interview with <a href="http://www.jargonbooks.com/jw_smith_interview.html"><span style='color:black'>Jonathan Williams</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'>An appreciation of the <a href="http://jargonbooks.com/snowflake1.html"><span style='color:black'>Jargon Society</span></a><o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://tomraworth.com/JWbyGD.jpg"><span style='color:black'>Guy Davenport&#8217;s</span></a> drawing of Williams<o:p></o:p></span></p>
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<h2 class='date-header'><span>Monday, March 17, 2008</span></h2>

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<b style='mso-bidi-font-weight:normal'><span style='font-size:20.0pt;font-family:Arial'>Jonathan Williams</span></b><span style='font-size:10.0pt;font-family:Arial'><br>
<br>
1929 &#8211; 2008</span><br style='mso-special-character:line-break'> <!--[if !supportLineBreakNewLine]--><br style='mso-special-character:line-break'> <!--[endif]--></p>

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<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>For fifty years, give or take, <a href="http://www.ncwriters.org/services/lhof/inductees/jwilliam.htm"><span style='color:black'>Jonathan Williams</span></a> has been one of the most complete men of letters our nation has had to offer, underappreciated by all but a few for all of that time. Williams was named by <a href="http://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2006/01/larry-fagin-sent-following-list-in.html"><span style='color:black'>Larry Fagin</span></a> on his original list of &#8220;Neglectorinos&#8221; when that discussion first began on this website two years back, a discussion begun by none other than CA Conrad, one of the writers I would point to as reflecting Williams&#8217; influence. But I could say that of so many poets &amp; such diverse ones as well, from the late Ronald Johnson &#8211; for some years early on, Williams' lover &#8211; to Clark Coolidge to Tom Meyer, Williams&#8217; partner now for nearly four decades, even to yours truly. I don&#8217;t know anyone who has taught people more clearly about the role of laughter in poetry, or the limitless value of a terrible pun. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>But such writing can make it hard for some folks to actually think you&#8217;re serious. And Williams&#8217; neglect is compounded by to the fact that he has mostly remained in his rural region of North Carolina, the local kid who happened to attend Black Mountain College right when Charles Olson was King Mastodon at that facility, plus because, when his peers were in New York &amp; San Francisco getting famous soon thereafter, he was pulling a stint in the army &#8211; hard to envision for somebody just as far out of the closet as Williams has been since day one &#8211; and no doubt also because of the gruff exterior he sometimes presents to the world, as tho one has just stumbled on a backwoods version of British royalty. Whenever Williams has ventured forth from </span><st1:State><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>North Carolina</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'>, it was mostly to head off to the </span><st1:country-region><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>U.K.</span></st1:place></st1:country-region><span style='font-size:10.0pt;font-family:Arial;color:black'> where I think he similarly avoided whatever urban poetry scenes might be had. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>One index of this neglect is that you can still buy many of Williams&#8217; books dating back to the mid-1970s from <a href="http://tinyurl.com/yuwmrv"><span style='color:black'>Small Press Distribution</span></a>. Of Williams&#8217; most recent collection, I wrote <a href="http://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2005/05/two-of-oldest-and-most-cherished.html"><span style='color:black'>here</span></a> <o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:0in;margin-bottom:12.0pt;margin-left:.5in'><i><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Jubilant Thicket</span></i><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> is one of those absolute must-have books of poetry. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>It&#8217;s nice to see, in retrospect, just what good sense I have. Lately, tho, I&#8217;ve been going through the somewhat earlier <i style='mso-bidi-font-style:normal'><a href="http://www.turtlepoint.com/catalogue/williams-blackbirddust.html"><span style='color:black'>Blackbird Dust</span></a>, </i>from Turtle Point Press. A collection, as the subtitle puts it, of essays, poems, and photographs, Turtle Point actually lists the volume under non-fiction, perhaps because fiction&#8217;s the only thing Williams didn&#8217;t seem to do. One of the masters of the small press whose imprint <a href="http://www.jargonbooks.com/index.html"><span style='color:black'>Jargon</span></a> is legendary, Williams was the first publisher of <i style='mso-bidi-font-style:normal'>The Maximus Poems</i> &#8211; I think he was still in the army at the time &#8211; a major <a href="http://www.jargonbooks.com/gallery1_2004.html"><span  style='color:black'>photographer</span></a> (his portraits of Louis Zukofsky, gracing the cover of Mark Scroggins' new biography as well as the recent <i style='mso-bidi-font-style:normal'>Chicago Review </i>issue dedicated thereto, are becoming canonical), a big time serious poet &#8211; he is the last living member of the Projectivist or Black Mountain section of <i style='mso-bidi-font-style:normal'>The New American Poetry</i> &#8211; and an essayist whose work in the form is as full of fun &amp; mischief as is his poetry. And as for the poetry, the following are the opening lines from &#8220;Amuse-Gueules for Bemused Ghouls&#8221;<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:0in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>good titles occur to<br>
me all the time<br>
like <span class=SpellE>i</span> have a<br>
nephew who is a<br>
<span class=SpellE>prtocologist</span> from <span class=SpellE>greer</span> south<br>
<span class=SpellE>carolina</span> and other poems<br>
<br>
<br>
<b style='mso-bidi-font-weight:normal'>HOMAGE TO LEE SMITH</b><br>
<br>
one-eyed <span class=SpellE>jesse</span> <span class=SpellE>waldron</span> lives<br>
all by <span class=SpellE>hissef</span> up<br>
in the paw-paw gap<br>
<br>
<span style='mso-spacerun:yes'> &nbsp; &nbsp;  &nbsp; &nbsp;  &nbsp;   &nbsp;         </span><span style='mso-spacerun:yes'> &nbsp;  &nbsp; &nbsp;  &nbsp; </span>*<br>
<br>
<span class=SpellE>justine</span> <span class=SpellE>poole</span> always says<br>
<span class=SpellE>fuckin</span>&#8217; is fine as<br>
far as it goes<br>
<br>
two <span class=SpellE>jewish</span> ladies meet<br>
in central park one<br>
of them has a <br>
new baby in a <br>
carriage what&#8217;s the baby&#8217;s<br>
name says one it&#8217;s<br>
<span class=SpellE>shelley</span> says the other<br>
how nice that you<br>
named her after a<br>
famous poet <span class=SpellE>shelley</span> temple<br>
was a famous poet<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8220;Gueules&#8221; is French for mouths &amp; the term is a synonym for the amuse-<span class=SpellE>bouche</span> I&#8217;m more familiar with &#8211; literally mouth amuser &#8211; as an offering from the chef in advance of the meal&#8217;s first course. It&#8217;s a perfect metaphor for Williams&#8217; own writing, which tends to such rollicking series of half-naughty humor. The trick, I think, is in seeing just how serious poems such as this really are. What Williams is offering the reader is not simply a series of puns &amp; wild yarns, but rather a vision of the world itself, one in which people are a little daft, but possessing nonetheless profound common sense, the language conspiring to reveal both sides of the human coin at once. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The essays in this collection often enough the same tone as the above amuse-gueules, such as a letter to the <i style='mso-bidi-font-style:normal'>New York Times </i>concerning the idea that there are &#8220;only 83 poetry readers in the entire nation&#8221; in spite of &#8220;the collective efforts of 64,980 busy, untalented, published poets, plus the <i style='mso-bidi-font-style:normal'>National Entombment for the Arts.</i>&#8221; Many of the essays, tho, are eulogies, for Ernest Matthew <span class=SpellE>Mickler</span> (author of the <i style='mso-bidi-font-style:normal'>White Trash Cookbook</i>), Robert Duncan, Paul Potts, Joel Oppenheimer, Art <span class=SpellE>Sinsabaugh</span>, Virginia Randall Wilcox, James Laughlin, Ronald Johnson &amp; James Harold Jennings. In a way, such accounts are a summing up for an entire generation, one that is now fast escaping us. To this, Williams adds his advocacy for the decidedly marginal in American letters, including a profile of Alfred Starr Hamilton that Williams managed to place in the <i style='mso-bidi-font-style:normal'>New York Times Book Review </i>in 1975, a time when Hamilton was apparently still managing to survive in his $40 per month rooming house tho the $7,000 he had inherited from his mother 11 years earlier had apparently run out. Williams made a point of including </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Hamilton</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8217;s address in the article so that readers could send money directly. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>This wonderful volume is a sad book only insofar as the world it often describes &#8211; not unlike </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>Hamilton</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> &#8211; is gone. You can&#8217;t get there no more is probably how Williams &#8220;<span class=SpellE>hissef</span>&#8221; would put it. It&#8217;s true: Williams is one of our very last &amp; very best links. </span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><o:p></o:p></span></p>

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<li><a href='http://en.wikipedia.org/wiki/Ron_Silliman'>Wikipedia</a></li>
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<h2 class='title'>Ketjak</h2>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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